On many occasions, my portraits are staged.
I like this theatrical slant, this "fraudulent" interpretation.

Places and landscapes can also be staged. For many years I have been taking "documentary-staged" photos of places in Europe and I've seen that it is very much like taking portraits.
They are portraits of places.

I still think that Blow Up is an extraordinary film.
This (pdf format, 67 kb) is what I wrote about it in the magazine Doce Notas Preliminares.